Today, indie electronica mastermind Cassie Marin debuts her new single, “Busy Body,” which explores the voyeuristic thrills and pitfalls of being the watcher and the watched in the digital landscape of social media.

On “Busy Body,” Marin’s melodically ethereal vocals coast along effortlessly wavy synths, delivering reflective stanzas unpacking our culture’s obsession with with follows and likes in a time where social politics have become hyper-digitized, reducing one’s social life to a hollow shell of what it used to be.
I was fortunate enough to speak to Marin about the single, her initial forays into electronic music, social media, pushing boundaries with her production, and much more!
How did you initially get into making electronic-pop music and what was it that gravitated you to that specific field of music?
I think electronic-pop music is a genre I’ve been listening to since I was very young. The sonic direction I’ve taken over the years has been entirely unintentional. Ultimately, I think I blend many of the genres I listen to regularly into my music. It happens somewhat naturally.
You seem to have a serious knack for tackling hard-to-navigate experiences throughout modern life? Would you say it comes from both personal experience and people you’ve observed as an outsider?
I mean, I do like a good challenge! My life, like anyone else’s, has had various ups and downs. I think it’s important to learn from every experience and make the best of every situation so you can help others who may face similar challenges in the future.
If you could cover any song throughout music history, what song would it be and why?
“Moonriver” by Henry Mancini and Johnny Mercer. This song is very special to me because it transports me to a time (before easily accessible technology) where music was all a person could need. It wasn’t about fame or a successful career path, it was about feeling good in your own company with music to aid you.
What is the process of sculpting these unique soundscapes in your songs like?
Each process is different, depending on whether I’m starting the song from scratch on my own or collaborating with another producer. But, usually my mood defines the atmosphere of the song as well as the musical elements I choose throughout the writing process.
Do you model your vocal stylings after any specific influences or would you say that you came up with your style of singing on your own?
I’ve admired and learned from many vocalists growing up. Most notably I would say, Hayley Williams, Anthony Green, The Weeknd and Jesse Rutherford.
What is the most difficult part of having to live in a world where it’s nearly impossible to have a social life without having an online presence?
I think the most difficult part is the lack of real connection. Communication and behaviors can be easily misconstrued while interacting online. You never know what a person could be going through based solely on what they reveal to you on the internet.
What was one of the most valuable and useful discoveries you made when you first taught yourself to produce?
That I could push myself beyond my own boundaries, surprise myself and experiment to my heart’s desire with my own sound design.
KEEP UP WITH CASSIE MARIN
STREAM BUSY BODY