Tag: a grrrls two sound cents
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(No More) Wire Hangrrr Fest – Feb. 15 at Trans-Pecos
An Abortion Fundraiser & Music Festival on February 15th, in Brooklyn.
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Premiere: Claire Hawkins – “Nothing to Lose” Music Video
Today, A Grrrl’s Two Sound Cents is excited to premiere the striking visual component to Claire Hawkins’ latest song, “Nothing to Lose.”
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Granite Garden on Visual Storytelling and Genre Blending
The seed of Granite Garden was planted when long term partners Cameron Silliman and Seamus Good found themselves in separate countries writing songs over email to stave off the tediousness of long distance communication. Upon reuniting, they immediately started performing and collaborating with local talent to bring these songs to life. What emerged was an…
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Sensory Yearning with The Noisy
A Grrrl’s Two Sound Cents caught up with The Noisy to discuss their relationship to food and how it shaped the album, moving through grief, and who would headline their dream bill.
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Straight-Shooting with Allie Sandt
A Grrrl’s Two Sound Cents caught up with Allie Sandt to discuss writing her debut single “The Flood,” her opinions on artistic evolution, and being a straight-shooter when it comes to songwriting.
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Glitter, Wrestling, and Plan C Pills: A Night with cumgirl8
A Grrrl’s Two Sound Cents sat down with cumgirl8 for a pre-show interview at their Brooklyn Made gig in collaboration with Plan C Pills, to discuss their political ethos, the fashion world, performing with Bratmobile and L7, protesting SXSW, and using their platform to advocate for a better future.
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An Afternoon Outing with Allison Becker from Wetsuit
The lead singer of Brooklyn indie rock outfit Wetsuit takes me on a Ridgewood excursion while we discuss the band’s debut EP, ‘Sugar, I’m Tired.’
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Prismia: Embracing Rebirth on ‘Amongst the Emerald Mind’
Anna Mariko Seymour of Seattle-based rock outfits The Morning After and Destination Unknown is a multi-hyphenate — producer, vocalist, Berklee graduate, drummer. Now she can add solo act to that list as she enters the newest phase of her career under the moniker Prismia, making ethereal synthrock paeans — think Lykke Li and Santigold with…
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Live Review: SASAMI at Music Hall of Williamsburg
Like Rina Sawayama crashing a Harley on speed, SASAMI has set a gold standard for wholesale showmanship on her latest tour supporting her newest album of nu metal-inspired paeans. The former classical composer-turned-indie-icon took the stage at Music Hall of Williamsburg on Friday. Her backing band were the first to emerge, three long-haired men who…
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Live Review and Q&A: Trophy Wife at The Mercury Lounge
As her name would suggest, the musical output of Trophy Wife—the solo project of 21-year-old Berklee student McKenzie Iazzetta—is inherently subversive. Her songwriting and her distinct vocal delivery constantly contradict one another, with lyrics where she leans into the role of the austere and unaffected “cool girl” trudging her way through the endlessly messy charade…